HUMAN ZOO DENMARK – ARE WE REALLY DONE WITH IT?
In 1905, people were displayed as part of a colonial exhibition in Tivoli Gardens, Copenhagen. They were presented to paying audiences through a colonial gaze that turned human lives, cultures and identities into spectacle.
More than a century later, Denmark is a very different society. There are no human exhibitions in Tivoli. But the history of the human zoo in Denmark still raises uncomfortable questions about power, representation and who gets to define the lives of others.
When politicians say “you trade with people, but you don’t trade people”, the phrase opens a wider question. Who gets to make decisions about territory, migration, communities and belonging — and who is expected to live with those decisions?
The human zoo belongs to the past. But systems of classification and control do not always disappear when the fences do. They can survive through language, institutions, political categories and decisions made far from the people most affected.
In 1905, Tivoli Gardens in Copenhagen staged a colonial exhibition in which real people were presented to visitors as part of the spectacle.
This article traces Denmark’s forgotten human zoo and asks why its history still matters when discussing colonialism, migration, representation and power today.
HUMAN ZOO IN DENMARK – A FORGOTTEN COLONIAL EXHIBITION
In the early 20th century, Denmark was among several European countries that hosted exhibitions now discussed in the historical context of human zoos and colonial displays.
These exhibitions presented people from colonised regions to European audiences as representatives of supposedly exotic or “primitive” cultures. Clothing, architecture, behaviour and everyday life were staged for visitors in ways that reinforced racial hierarchies and colonial ideas about civilisation.
The human zoo in Copenhagen therefore did not exist in isolation. It formed part of a much wider European culture in which empire, entertainment and racial classification were brought together for public consumption.
THE TIVOLI GARDENS HUMAN ZOO OF 1905
In 1905, Tivoli Gardens in Copenhagen hosted a colonial exhibition featuring 25 individuals from the French colonies.
The exhibition was presented through the language of education, curiosity and cultural encounter, but the people involved were also treated as spectacles. Their presence allowed visitors to encounter a carefully staged representation of people and places outside Europe rather than meeting them as individuals on equal terms.
People were placed within constructed environments and presented through visual ideas about ethnicity, difference and colonial hierarchy. What visitors saw was not simply another culture. It was a culture filtered through European expectations about race and empire.
Denmark’s exhibition formed part of a broader phenomenon. Similar colonial exhibitions and human displays took place in countries including Belgium, France and Germany.
HUMAN ZOO COPENHAGEN – COLONIALISM AS ENTERTAINMENT
The power of these exhibitions came partly from their setting. Tivoli was associated with entertainment, spectacle and leisure. Placing human beings inside that environment blurred the line between cultural exhibition and public amusement.
Visitors did not only look at objects from distant places. They looked at people.
That distinction matters. A person placed within an exhibition can easily become reduced to a category: African, colonial subject, exotic outsider, native or curiosity. Individual identity disappears behind the role the exhibition has assigned.
This is one reason the history of the human zoo in Denmark remains relevant. It shows how entertainment and popular culture can help normalise ideas about hierarchy without those ideas necessarily being presented as explicit political doctrine.
HUMAN ZOOS ACROSS EUROPE
Denmark was not alone. During the late 19th and early 20th centuries, exhibitions involving people from colonised or non-European societies took place across Europe.
Such displays were connected to imperial expansion, anthropology, racial theories and mass entertainment. Visitors were invited to observe supposedly different peoples while European society positioned itself as modern, developed and civilised.
Countries including France, Belgium and Germany have well-documented histories of colonial exhibitions. The Danish example belongs within that wider European history rather than being treated as an isolated curiosity.
A LEGACY DENMARK RARELY CONFRONTS
Denmark is often described through values such as equality, democracy and social trust. The history of the Danish human zoo complicates that national story.
Remembering the exhibition is not about assigning personal responsibility to people living today for something that happened more than a century ago.
It is about understanding how colonial ideas were once made ordinary, entertaining and socially acceptable — and why histories involving racism, objectification and dehumanisation should not simply disappear from public memory.
Historical memory becomes especially important when a country prefers to understand colonialism as something that happened elsewhere.
FROM HUMAN EXHIBITION TO MODERN POWER
The form of power has changed dramatically since 1905. People are no longer placed behind fences in Tivoli for visitors to observe.
But this article asks whether a broader habit of speaking about groups of people rather than with them can survive in modern political systems.
That is not the same as claiming that modern migration policy, housing policy or administrative centres are human zoos. They are not. Their histories, purposes and conditions are fundamentally different.
The comparison is instead about a recurring question:
What happens when human beings become categories to be managed rather than people whose voices shape the decisions affecting their lives?
WHEN TERRITORY IS DISCUSSED WITHOUT THE PEOPLE
The same question can arise when territories are discussed primarily through security, economics or international strategy.
Greenland, for example, can become part of geopolitical discussions between larger powers in which territory, military importance and strategic value dominate the conversation.
The language may be technical, diplomatic or economic. But behind every discussion about territory are people, communities and histories.
That does not make modern diplomacy equivalent to a colonial exhibition. It does, however, make the question of representation important: who is speaking, who is being discussed, and who has meaningful influence over the outcome?
CAMPS, CENTRES AND PEOPLE KEPT OUT OF SIGHT
The history of the human zoo in Denmark also invites reflection on how societies decide where different groups of people belong.
Today, rejected asylum seekers and people with unresolved immigration status may spend long periods in highly regulated environments such as departure centres.
Kærshovedgård is one example discussed in Danish debates about migration and return policy.
I am not arguing that a departure centre is the same thing as a human zoo. The histories are different, the institutions are different and the people are not being displayed for entertainment.
But both histories can raise a broader ethical question:
What happens when certain groups are increasingly spoken about as problems that need to be placed somewhere — outside ordinary neighbourhoods, outside everyday life or outside the national community altogether?
MIGRANT LABOUR, BELONGING AND CONDITIONAL ACCEPTANCE
The question is personal to me.
I write as the son of a Pakistani guest worker and as someone whose own family history is connected to labour migration in Denmark.
Guest workers were invited because their labour was needed. Their lives, families and children then became part of Danish society.
That history raises another question about belonging: when does someone stop being treated as temporary?
For first-generation migrants, their children and later generations, discussions about integration, citizenship and belonging can sometimes create the impression that acceptance remains conditional long after a family has become part of the country.
This is one reason I return to the history of the human zoo. Not because modern Denmark is identical to Denmark in 1905, but because history can reveal how societies construct ideas about who belongs at the centre and who remains at the edge.
WHY THIS HISTORY STILL MATTERS
The human zoo in Tivoli Gardens was more than a strange historical curiosity. It reflected a system in which human beings could be classified, staged and interpreted through colonial ideas about race and civilisation.
Remembering that history does not mean pretending that nothing has changed.
A great deal has changed.
But history becomes useful when it helps us recognise the questions that remain:
- Who gets to define another group of people?
- Who gets to make decisions affecting their lives?
- When does a person become a category?
- Whose perspective is missing from the story?
- Which parts of national history are remembered — and which are quietly forgotten?
The point is not to collapse past and present into the same thing.
The point is to look carefully at both.
FAQ ABOUT THE HUMAN ZOO IN DENMARK
WAS THERE A HUMAN ZOO IN DENMARK?
Yes. In 1905, Tivoli Gardens in Copenhagen hosted a colonial exhibition in which people were presented to visitors as part of a public spectacle. The event belonged to a wider European tradition of colonial exhibitions and human displays.
WHERE WAS THE HUMAN ZOO IN DENMARK?
The exhibition discussed in this article took place in Tivoli Gardens in Copenhagen.
WHEN DID THE TIVOLI HUMAN ZOO TAKE PLACE?
The colonial exhibition took place in 1905.
WHO WAS DISPLAYED AT THE TIVOLI EXHIBITION?
The 1905 exhibition featured 25 individuals from the French colonies, presented to visitors within a staged colonial setting.
WERE HUMAN ZOOS ONLY FOUND IN DENMARK?
No. Human displays and colonial exhibitions also took place elsewhere in Europe, including France, Belgium and Germany. Denmark formed part of a broader European culture of colonial spectacle.
WHY IS THE HUMAN ZOO IN DENMARK STILL RELEVANT?
The exhibition is relevant because it offers insight into Denmark’s relationship with colonial ideas, racial representation and public entertainment. Studying it also raises broader questions about how societies represent, categorise and exercise power over other people.
SUPPORT INDEPENDENT STORIES ABOUT POWER AND DIGNITY
This article is written from the perspective of a guest worker’s son, designer and production engineering student — not from the position of a neutral historical institution.
The aim is to connect overlooked history with questions about identity, migration, power and belonging while keeping a clear distinction between historical events and present-day institutions.
Researching and publishing independent work takes time. If you believe stories like this deserve to remain accessible, you can support the work by sharing the article, discussing the history or exploring the projects and designs that help fund ZLCOPENHAGEN.
History becomes harder to erase when people keep asking questions.
FROM FOX NEWS TO GREENLAND
This image is not about the past alone. It reflects a pattern that did not end with Tivoli in 1905. People are no longer displayed behind fences, but they are still moved, sorted, contained, and managed.
The video above shows Denmark’s foreign minister and former prime minister, responding to renewed American pressure over Greenland on Fox News. He rejects the idea that control over territory can be treated like a transaction.
The statement sounds clear. Almost reassuring. But what matters is not only what is said. It is how power is exercised.
WHEN TERRITORY IS DISCUSSED WITHOUT THE PEOPLE
DECISIONS MADE OVER PEOPLE

The image below shows Greenland divided and discussed as strategy, security, and alliance management. Decisions are framed as necessary and technical, while the people most affected are absent from the room.
This is not new. It is a pattern.
In 1905, Denmark placed human beings on display in Tivoli Gardens. In 2026, people are no longer exhibited, but they are still classified, relocated, and governed through categories created far from their lives.
In Denmark today, entire neighbourhoods are labelled and restructured through so-called ghetto policies, a system criticised by the EU for targeting populations rather than conditions. Families are relocated, areas emptied, and communities broken up in the name of order and integration.
The same logic appears in the treatment of migrant labour. Guest workers and their children, second, third, even fourth generation, are spoken about as conditional and temporary. Highly skilled workers, such as nurses recruited from abroad, are brought in to fill shortages and sent home once their usefulness ends.
The form has changed. The logic has not. You trade with people, but decisions are still made over them.
HUMAN ZOO IN DENMARK – THE FORGOTTEN EXHIBITION IN TIVOLI GARDENS
@hurtig_historie Koloniudstillingen i Tivoli 1905 🌴🇬🇱🇫🇴🇮🇸 Levende mennesker var en del af den udstilling, som i 1905 blev lavet i Tivoli i København om de danske kolonier og bilande. Og du bliver nok lidt overrasket over at høre, hvem der stod bag den. . . . Tilføjelser til historien: På Island var der stor utilfredshed med, at der Island indgik i udstillingen, da relationen mellem Danmark og Island var anderledes fra den, mellem f.eks. Danmark og Grønland eller Vestindien, og islændingene ville ikke sidestilles med kolonierne, som de så som ukultiverede og lavere "racer". Derfor fik Island i høj grad også selv medindflydelse på deres udstilling. De fleste af de mennesker, der blev udstillet i de forskellige koloniudstillinger var mere eller mindre frivillige repræsentanter fra landene, nogle af dem herboende og andre som udsendinge. Men de vestindiske børn var blevet taget væk fra deres mor, som ikke selv kunne brødføde dem, og havde altså ikke noget valg. Den vestindiske pige, Alberta, døde desværre i en meget tidlig alder af tuberkulose, men broren, Victor, voksede op og blev lærer og senere viceinspektør i Nakskov. . . . Primære kilder: Danmarkshistorien.dk Nationalmuseet . . . Billedmateriale: Det Kongelige Bibliotek - CC Nationalmuseets samlinger emmagad.dk . . . #tivoliudstillingen #koloniudstillingen #menneskeudstilling #emmagad #koloniudstilling #danskekolonier #kolonihistorie #devestindiskeøer #vestindien #danskvestindien #historie #history #historieundervisning #dansk #historisk #undervisning #historieforedrag #foredrag #danish #danmark #stem #stemtok #tiktoklær #trending #dktiktok #fyp #foryoupage #dansktiktok #viral ♬ original sound - Hurtig_Historie
Back in 1905, Denmark staged what is now described as one of Europe’s last human zoos — right in the heart of Tivoli Gardens, Copenhagen. Known as the Danish Colonial Exhibition, this Denmark human zoo showcased not just artefacts, but real humans from Danish colonies — including Greenland, the Danish West Indies, the Faroe Islands and Iceland — what today would be called a “menneske-zoo i Danmark”.
The event ran from May to September 1905 and aimed to glorify Denmark’s colonial legacy. But behind the patriotic spectacle was a darker truth: humans were displayed like objects, reinforcing twisted racial theories and colonial propaganda.
HUMAN ZOO DENMARK – SHOCKING TRUTH BEHIND THE 1905 TIVOLI SHOW
Among the “exhibits” were children from the Danish West Indies, who were put in cages when they wandered too far. Icelandic students protested being presented alongside so-called “primitive races”, sparking national debate. The event became a bizarre clash between colonial pride and public shame.
While countries like Belgium and France are often criticised for their human zoos, the Danish human zoo in Tivoli Gardens is largely forgotten — but no less disturbing.
This story reveals more than just history. It shows how a small nation tried to manufacture power through people. Read more about the 1905 Danish Colonial Exhibition on
Danmarkshistorien (in Danish)
.

CAMPS, CENTRES AND PEOPLE KEPT OUT OF SIGHT
The story of the human zoo in Denmark is about more than a single exhibition in
Tivoli Gardens, Copenhagen. It is about a way of thinking in which certain people can be
moved, grouped and controlled so that the majority can feel safe, civilised or superior.
Today, this logic does not only live in debates about “ghettos” and
remigration. It also shows up in places like the Kærshovedgård departure centre
in Denmark, where rejected asylum seekers and people without a clear future in the country are
kept in a remote, highly controlled environment. They are not exhibited like in 1905 – if anything, they
are kept out of sight – but their lives are still organised around other people’s need to manage, contain
and forget them.
I am not saying that a departure centre is the same as a human zoo. The histories are different, and so
are the conditions. But both raise the same uncomfortable question: what happens to a society when
certain groups are treated less as neighbours and more as problems to be placed somewhere – on display,
at the edge of the city, or far away from everyday life?
WHY THIS HISTORY STILL MATTERS
The human zoo in Denmark was not just an embarrassing footnote in 1905. It was a deliberate choice: to turn living people into symbols of power, civilisation and progress. The colonial exhibition in Tivoli Gardens, Copenhagen sorted human beings into “advanced” and “primitive”, centre and margin – and asked visitors to feel superior.
Today, Denmark tells a different story about itself: tolerant, democratic, egalitarian. But the same logic of sorting and controlling people has not disappeared. It lives on in the language of “ghettos” and “parallel societies”, in political talk of remigration, and in remote places like the
Kærshovedgård departure centre in Denmark, where unwanted people are kept out of sight and out of mind. The tools and terms have changed. The question has not: whose presence is welcomed, and whose is treated as a problem to be managed somewhere else.
Remembering the human zoo in Tivoli Gardens is not about accusing ordinary Danes today of what happened more than a hundred years ago. It is about telling the full story of a country that likes to see itself as progressive, while also confronting how it has displayed, sorted and controlled certain bodies – from colonised subjects in 1905 to racialised minorities, migrant workers and their children in the present.
SUPPORT INDEPENDENT STORIES ABOUT POWER AND DIGNITY
This article is written from the perspective of a guest worker’s son, not a neutral observer. It is part of an ongoing attempt to connect Denmark’s colonial past to the realities of migrant labour, “ghetto” policies, remigration debates and camps and centres at the edge of the map. That kind of work takes time, research and a willingness to stay with difficult truths that do not fit into simple national myths.
If you believe these stories matter and should remain freely available, you can help by supporting the projects and designs that fund this writing. Your support – whether through sharing the article, talking about it, or backing the work financially – is a way of saying that the people inside these histories, and the people living with their consequences today, are worth more than being forgotten.


















