{"id":40658,"date":"2025-10-27T15:58:39","date_gmt":"2025-10-27T14:58:39","guid":{"rendered":"https:\/\/zlcopenhagen.com\/digital-heksejagt-hvordan-blokeringer-er-nutidens-baalafbraendinger\/"},"modified":"2026-09-28T21:34:59","modified_gmt":"2026-09-28T20:34:59","slug":"cancel-culture-ytringsfrihed-danmark","status":"publish","type":"post","link":"https:\/\/zlcopenhagen.com\/de\/cancel-culture-ytringsfrihed-danmark\/","title":{"rendered":"DIGITAL HEKSEJAGT: CANCEL CULTURE, DANMARK OG YTRINGSFRIHED"},"content":{"rendered":"<p>[spb_raw_html width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;]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[\/spb_raw_html] [spb_text_block animation=&#8221;none&#8221; animation_delay=&#8221;0&#8243; simplified_controls=&#8221;yes&#8221; custom_css_percentage=&#8221;no&#8221; padding_vertical=&#8221;0&#8243; padding_horizontal=&#8221;0&#8243; margin_vertical=&#8221;0&#8243; custom_css=&#8221;margin-top: 0px;margin-bottom: 0px;&#8221; border_size=&#8221;0&#8243; border_styling_global=&#8221;default&#8221; width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;]<\/p>\n<p>En uenighed kan begynde med \u00e9t opslag og ende med, at et menneske bliver gjort til symbol for alt det, andre er imod. Citater deles, folk v\u00e6lger side, og den, det handler om, kan have sv\u00e6rt ved at komme til orde.<\/p>\n<p>Som s\u00f8n af en g\u00e6stearbejder fra Pakistan har jeg set, hvor hurtigt sociale medier kan forst\u00e6rke konflikter. I denne artikel unders\u00f8ger jeg digital udskamning, blokeringer og gruppens pres. Jeg bruger heksejagten som metafor for mekanismerne \u2014 ikke som en p\u00e5stand om, at konsekvenserne er de samme.<\/p>\n<p>[\/spb_text_block] [spb_text_block animation=&#8221;none&#8221; animation_delay=&#8221;0&#8243; simplified_controls=&#8221;yes&#8221; custom_css_percentage=&#8221;no&#8221; padding_vertical=&#8221;0&#8243; padding_horizontal=&#8221;0&#8243; margin_vertical=&#8221;0&#8243; custom_css=&#8221;margin-top: 0px;margin-bottom: 0px;&#8221; border_size=&#8221;0&#8243; border_styling_global=&#8221;default&#8221; width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;]<\/p>\n<blockquote><p><em>&#8220;..I K\u00f8benhavn anno 2025 bliver man stadig br\u00e6ndt \u2014 ikke fysisk, men digitalt. Den moderne heksejagt foreg\u00e5r ikke p\u00e5 torvet, men i kommentarspor og blokeringer. Tavshed og udskamning er blevet nutidens b\u00e5l og brand. Vi gentager middelalderens fejl med AfD-mentalitet og intolerance. Er det virkelig d\u00e9r, vi vil hen?..&#8221;<\/em><br data-start=\"498\" data-end=\"501\" \/>\u2014 Zahid Latif, S\u00f8n af en g\u00e6stearbejder fra Pakistan \u00b7 ZLCOPENHAGEN, 2025<\/p><\/blockquote>\n<p>[\/spb_text_block] [spb_text_block animation=&#8221;none&#8221; animation_delay=&#8221;0&#8243; simplified_controls=&#8221;yes&#8221; custom_css_percentage=&#8221;no&#8221; padding_vertical=&#8221;0&#8243; padding_horizontal=&#8221;0&#8243; margin_vertical=&#8221;0&#8243; custom_css=&#8221;margin-top: 0px;margin-bottom: 0px;&#8221; border_size=&#8221;0&#8243; border_styling_global=&#8221;default&#8221; width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;]<\/p>\n<h2>S\u00c5DAN OPST\u00c5R DIGITAL UDSKAMNING<\/h2>\n<p>Et enkelt citat kan blive l\u00f8srevet fra sin sammenh\u00e6ng og delt som bevis for, hvem en person angiveligt er. N\u00e5r mange reagerer p\u00e5 samme tid, kan diskussionen hurtigt komme til at handle om personen frem for det oprindelige udsagn.<\/p>\n<ul>\n<li><strong>Udskamning:<\/strong> Et udsnit af en samtale spredes uden den fulde sammenh\u00e6ng.<\/li>\n<li><strong>Blokering:<\/strong> Nogle deltagere mister muligheden for at svare direkte i den samme tr\u00e5d.<\/li>\n<li><strong>H\u00e5n:<\/strong> Memes og \u00f8genavne g\u00f8r konflikten mere personlig.<\/li>\n<\/ul>\n<p>\u201cKaren\u201d er et eksempel p\u00e5, hvordan et navn kan blive en karikatur. N\u00e5r vi bruger s\u00e5danne m\u00e6rkater, risikerer vi at d\u00f8mme personen, f\u00f8r vi har unders\u00f8gt, hvad der faktisk blev sagt.<\/p>\n<p>[\/spb_text_block] [spb_blank_spacer height=&#8221;30px&#8221; width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;] [spb_raw_html width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;]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[\/spb_raw_html] [spb_blank_spacer height=&#8221;30px&#8221; 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width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;] [spb_raw_html width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;]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[\/spb_raw_html] [spb_blank_spacer height=&#8221;30px&#8221; width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;] [spb_text_block animation=&#8221;none&#8221; animation_delay=&#8221;0&#8243; simplified_controls=&#8221;yes&#8221; custom_css_percentage=&#8221;no&#8221; padding_vertical=&#8221;0&#8243; padding_horizontal=&#8221;0&#8243; margin_vertical=&#8221;0&#8243; custom_css=&#8221;margin-top: 0px;margin-bottom: 0px;&#8221; border_size=&#8221;0&#8243; border_styling_global=&#8221;default&#8221; width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;]<\/p>\n<h2>HVORFOR BRUGE ORDET \u201cHEKSEJAGT\u201d?<\/h2>\n<p>I Danmark var 1500- og 1600-tallet trolddomsprocessernes storhedstid. Mennesker blev anklaget og straffet p\u00e5 baggrund af forestillinger om trolddom. <a href=\"https:\/\/natmus.dk\/historisk-viden\/danmark\/renaessance-1536-1660\/heksetro-i-renaessancen\/\">Nationalmuseet beskriver periodens heksetro og retssager<\/a>.<\/p>\n<p>N\u00e5r jeg bruger ordet \u201cheksejagt\u201d om sociale medier, er det en metafor for, hvordan en anklage kan samle en gruppe og g\u00f8re det sv\u00e6rt for den udpegede at komme til orde. Digital udskamning kan ikke sidestilles med historiske retssager, tortur og henrettelser. Sammenligningen g\u00e6lder gruppens reaktion \u2014 ikke f\u00f8lgernes alvor.<\/p>\n<p>[\/spb_text_block] [spb_text_block animation=&#8221;none&#8221; animation_delay=&#8221;0&#8243; simplified_controls=&#8221;yes&#8221; custom_css_percentage=&#8221;no&#8221; padding_vertical=&#8221;0&#8243; padding_horizontal=&#8221;0&#8243; margin_vertical=&#8221;0&#8243; custom_css=&#8221;margin-top: 0px;margin-bottom: 0px;&#8221; border_size=&#8221;0&#8243; border_styling_global=&#8221;default&#8221; width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;]<\/p>\n<h2>HVAD KAN VI G\u00d8RE, F\u00d8R VI DELER?<\/h2>\n<p>Digital udskamning vokser, n\u00e5r vi reagerer p\u00e5 et udsnit uden at kende sammenh\u00e6ngen. F\u00f8r vi deler en anklage eller deltager i et kommentarfelt, kan vi stille tre sp\u00f8rgsm\u00e5l:<\/p>\n<ul>\n<li><strong>Har jeg set det oprindelige opslag?<\/strong> Et sk\u00e6rmbillede kan mangle det, der blev skrevet f\u00f8r og efter.<\/li>\n<li><strong>Skelner jeg mellem handling og person?<\/strong> Man kan kritisere et udsagn uden at g\u00f8re afsenderen til en karikatur.<\/li>\n<li><strong>Giver jeg plads til et svar?<\/strong> En blokering kan v\u00e6re en n\u00f8dvendig personlig gr\u00e6nse, men den b\u00f8r ikke i sig selv bruges som bevis for, at den anden tager fejl.<\/li>\n<\/ul>\n<p>Vi beh\u00f8ver ikke v\u00e6re enige for at diskutere redeligt. 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